Greenhouse is a project developed by Mónica de Miranda, Sónia Vaz Borges and Vânia Gala. The project is grounded in interconnections of practice, theory, and pedagogy, presenting the exhibition space as a place of experimentation and reflection. The curatorial and artistic team – including a visual artist, a choreographer and a researcher – proposes collective actions through pedagogy, sound and movement that reflect on the relationship between nature, ecology and politics. The project undertakes the deconstruction of the very epistemology of the exhibition space and the hierarchical binaries of curator and artist, thought and practice, human and nature. The garden becomes a space for continuous, dialogical creation between the artists and the public.

La Biennale di Venezia was established in 1895 and is today acknowledged as one of the most prestigious cultural institutions. La Biennale di Venezia stands at the forefront of research and promotion of new contemporary art trends and organizes events in all its specific Departments: Art (1895), Architecture (1980), Cinema (1932), Dance (1999), Music (1930), and Theatre (1934) – alongside research and training activities.