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BEAUTY

Part of the exhibition Taxidermy of the future with Kiluanje Kia Henda and Grada Kilomba curated by Paula Nascimento and Bruno Leitão Beauty by Mónica de Miranda (2018) HD video, sound, 6″ The short…

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PANORAMA

The curatorial proposal aims to bring into play the tension between the traditional concept of landscape - the one that represents nature in its pure and wild state - and…

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SOUTH CIRCULAR

Being part of the 13th edition of the EDP Foundation New Artists Award, Circular do Sul (South Circular) is a research, photography and video project that builds a narrative around…

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In(sul)ar

The In(sul)ar project marks the dichotomy between reality and fiction, by creating meta-images of an imagined island, where time and space are confused with each other. The project consists of…

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WALK AND TALK

Walk&Talk returns to São Miguel between 5 - 20 July and in its ninth edition, the festival welcomes more than fifty artists, collectives and curators, presents dozens of new projects…

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ARCOlisboa 2019

A group presentation showcasing works by Joël Andrianomearisoa, Manal AlDowayan, Zoulikha Bouabdellah, Timothy Hyunsoo Lee, Alexandra Karakashian and Mónica de Miranda. More Info

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PHOTO LONDON 2019

Tyburn Gallery Carlos de Carvalho Arte Contemporânea The fifth edition of Photo London. Featuring over 100 of the world’s leading galleries – from Antwerp to Budapest, San Francisco to Cape Town and…

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NEW EVENTS

Military Road will be projected for Urban Photography, Agency and Change, Ana Balona’s intervention in BEYOND THE ENLIGHTENMENT: SEISMIC SHIFTS, URBAN IMAGERY symposium in Culturgest: https://www.culturgest.pt/en/whats-on/beyond-age-lights-seismic-changes-urban-imagery/?fbclid=IwAR3Ec-eGFBYS2v5U7usbazNT5nB4rJ83RIVkjUvnx3cu19Dpspb21ZgjvBU

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NEW PUBLICATIONS

The series Botanical Gardens has been published here: http://www.sternberg-press.com/index.php?pageId=1835&l=en&bookId=729&sort&fbclid=IwAR281nr9FfysrhuRmfjdhiKG__bbJKRWqVUZnECw1_qd5vTxhYkN3uO_Zeo A selection of photographs with an essay The Land of no Melancholy written by Katherine Marianne Sirois in the Wrong Wrong issue…

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