Path to the stars

The 12th Berlin Biennale for Contemporary Arts | PATH TO THE STARS

By Mónica de Miranda

Exhibition curated by Kader Attia in collaboration with Ana Teixeira Pinto, Đỗ Tường Linh, Marie Helene Pereira, Noam Segal, and Rasha Salti.

KW Institute for Contemporary Art | June 11 – September 18, 2022

Preview Dates
June 10
, from 7 pm to 10 pm
 – Opening

On the occasion of the 12th Berlin Biennale for Contemporary Art, titled Still Present!, artists from around the globe engage with the legacies of modernity and the resulting state of planetary emergency. In addition to their works, the exhibition features historical documents, including political and activist publications from the Archiv der Avantgarden – Egidio Marzona (AdA). The contributions reveal connections between colonialism, fascism, and imperialism, and propose decolonial strategies for the future, oriented around a set of questions: How can a decolonial ecology be shaped? What role can non-Western feminist movements play in the reappropriation of historical narratives? How can the debate on restitution be reinvented beyond the return of plundered goods? Can the field of emotion be reclaimed through art?

The film Path to the stars is produced by Geração 80, supported by The Calouste Gulbenkian Foundation, Sabrina Amrani Gallery, Jahmek Contemporary Art, Carlos Carvalho Arte Contemporânea and Beyond Entropy. Music and composition by Xullaji.

Beyond Entropy Africa and Oratorio di San Ludovico by Nuova Icona present

no longer with the memory but with its future

By Mónica de Miranda

Exhibition curated by Paula Nascimento – Beyond Entropy Africa

Oratorio di San Ludovico, Venezia April 23 – May 29, 2022

Preview Dates
April 20, from 5 pm to 8 pm – Opening Reception
April 23, from 5 pm to 8 pm – Private View with the presence of Monica de Miranda and Paula Nascimento
Location: Oratorio di San Ludovico, Calle dei Vecchi, Dorsoduro 2552, Venice

Beyond Entropy Africa and Oratorio di San Ludovico by Nuova Icona present “no longer with the memory but with its future” an exhibition by the artist Mónica de Miranda, curated by Paula Nascimento on the occasion of Biennale Arte 2022, La Biennale di Venezia.

The exhibition brings together a new body of work by Mónica de Miranda – an interdisciplinary Portuguese artist of Angolan origin whose research-informed practice investigates convergences between politics, identity, gender, memory, and place, as well as the complexities of identity construction within her geographies of affection – and is structured around a video work “Path to the Stars” that finds inspiration in Agostinho Neto’s homonymous poem and was shot in the River Kwanza, Angola’s longest river. The vitality and strength of the ecosystem of the river function as an analogy between the body and water and its relationship to history– the river is linked to the history of the Atlantic.

The exhibition also features photographic work exploring the entanglements between femininity and nature and a text-based installation. Through an oppositional gaze towards history, Mónica’s works advance important discussions about belonging and future-making in the contemporary Anthropocene era.

The exhibition’s title, “no longer with the memory but with its future”, reflects on the dialectic relations between past, present, and future through creative engagement with historical traces to project and imagine new futures. It displays a cosmovision towards new modes of understanding human subjectivity, moving forward the necessary discussion around the relations between human dimensions, such as language and politics, and the environment in which we dwell.

The film Path to the Stars follows the journey of a Heroine from sunrise to sunset, confronted by her own shadow and by different temporalities and micro-narratives, proposing a counter-narrative composed of the complex biographies that overlap and interact: the past and the anti-colonial freedom fighters, the uncertainty of the present and the desire to belong, and projection of the future and the desire to reach a symbiosis with nature and to unfold the ecological crisis that destroys our nature.  The central piece works structurally and conceptually as a river from which branches and layers of stories and metaphors unfold.

At a time when humanity is facing various challenges such as increased discrimination, global warming, wars and ecological disasters, “no longer with the memory but with its future” functions as an opportunity to share and seek future directions through creative reflection and imagination.

The exhibition is accompanied by a publication with a foreword by Vittorio Urbani and texts by Paula Nascimento, Ana Nolasco, Marisa Moorman and Yara Nakahanda Monteiro.

Exhibition dates:
April 23 to May 29, from Wednesday to Sunday from 11am to 7pm

Location: Oratorio di San Ludovico, Calle dei Vecchi, Dorsoduro 2552, Venezia
(vaporetto /water bus stop: S. Basilio)

Produced by
Beyond Entropy Afica and Nuova Icona – with the support of Fondazione Morra, Naples and AlbumArte

Press Office:
The Link PR – press@thelinkpr.it

“No longer with memory but with its future” is presented by B/E Africa and Oratorio di San Ludovico by Nuova Icona (with the support of Fondazione Morra, Naples and Albumarte).

The exhibition was realised thanks to the sponsorship of:

Materia

Calouste Gulbenkian Foundation

Sabrina Amrani Gallery
Jahmek Contemporary Art

Carlos Carvalho Arte Contemporânea
Mercedes Vilardell

Mário Castelbranco

And the generous partnership of:

Artworks
Fineprint

We would also like to thank:

Ana Nolasco
Antonia Gaeta
Carlos Carvalho Arte Contemporânea
Cristina Roldão
Jorge Cohen / Geração 80
Marissa J. Mormaan
Paulo Moreira
Raul Betti
Yara Nakahanda Monteiro

Artist: Mónica de Miranda
Curator: Paula Nascimento
Producer: Vittorio Urbani – Nuova Icona
Publication Editors: Monica de Miranda, Paula Nascimento, Marissa Mormaan
Graphic Designer: Pedro Ponciano
Soundtrack to the film composed by: Xullagi.