Kochi-Muziris Biennale
Aligned with the theme of Coexistence of the Biennale, the project Earthworks revives Indigenous practices of connecting with the land through a unique installation. Inspired by Vandana Shiva, it explores soil as a historical agent, emphasizing its decolonizing and regenerative role.
©️ Photo by Anna Jarosz from the Walking Archives performance (2024)
Aligned with the theme of Coexistence of the Biennale, the project Earthworks revives Indigenous practices of connecting with the land through a unique installation. Inspired by Vandana Shiva, it explores soil as a historical agent, emphasizing its decolonizing and regenerative role.
©️ Courtesy of Pepper House
MAC/CCB
For the group show Living Place: The Burle Marx Legacy Mónica de Miranda presents a community mural as part of her ongoing project Invisible Gardens. This exhibition takes as its starting point twenty-two landscape projects for public areas developed over seven decades by Roberto Burle Marx (1909–1994) and his collaborators.
©️ Untitled from Invisible Gardens series by Mónica de Miranda (2024)
Somerset House Foundation – 1-54 Fair
Commissioned by the Somerset Foundation for the 1-54 Fair in London, Earthworks is a site-specific installation reflecting on the concept of Terrestrial Communities. A public space that invites audiences to reconsider the role of botanical spaces in shaping our environmental futures.
©️ Photo by Kevin Meredith
Livraria Lello Foundation
In September, The Monastery of Leça do Balio inaugurates the exhibition People in Motion. Curated by Roberto Cremascoli, the exhibition is a contemporary reflection on migration, belonging and empathy, exploring what moves us as people and communities. During the artistic itinerary, Mónica presents Greenhouse, a Creole garden that combines sculpture, stage, installation and meeting space.
©️Still from Transplanting by Mónica de Miranda (2024)
A celebration of the Art Institute of Chicago on cultural Pan-Africanism related to the exhibition Black Planet: The Art and Culture of PANAFRICA. Curated by Antawan I. Byrd and it’s open until 30 / 03 / 2025.
©️ Still from As if the World had no West film (2024)
Running from 6 February to 15 June 2025, SB16 will activate venues in Sharjah City, Al Hamriyah, Al Dhaid, Kalba and other locations in the Emirate of Sharjah, and bring together a diverse and broad range of perspectives.
Curated by Alia Swastika, Amal Khalaf, Megan Tamati-Quennell, Natasha Ginwala and Zeynep Öz.
©️ Still from As If The World Had No West (2024) by Mónica de Miranda
As if the World had no West is taking part in Sharjah Biennial 16 an exhibition that explores our precarity in unfamiliar spaces while remaining attuned to them through our cultural ties. It bridges embodied pasts and imagined futures, weaving intergenerational stories and diverse inheritances. Curated by Alia Swastika, Amal Khalaf, Megan Tamati-Quennell, Natasha Ginwala and Zeynep Öz.
©️ Afterlife from As if the World had no West series (2024)
The film Path to the Starstakes part in thegroup show Paysages Mouvants which explores the metamorphosis of contemporary images, conceived as a collective narrative that reimagines the representation of natural environments. Curated by Jeanne Mercier in collaboration
with screenwriter Loo Hui Phang.
©️ Installation view from Path to the Stars video installation (2022)