Aligned with the theme of this year’s Triennial of Photography Hamburg, Mónica de Miranda’s works explore the intersections of identity, memory, and relational landscapes. Through her photographic practice, she examines how personal and collective histories shape the ways we encounter others, creating visual narratives that highlight connection, empathy, and the infinite interplay between the self and land. Her images lie within the Triennale’s reflection on human bonds, emphasizing care, dialogue, and the ethical responsibility of witnessing the other.

©️ Above the Line (2024) from As if the World had no West series by Mónica de Miranda